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This year’s Kanien’kehá:ka Onkwawén:na Raotitióhkwa Language and Cultural Center (KOR) Skateboard Project art design competition, in its fourth year of existence, may have been smaller in scale than years past, but that doesn’t make the winning works any less visually impressive.

Tara-Louise Montour remembers 30 years ago, when she was one of the only Onkwehón:we performers in the classical music scene.

Montreal-based tour guide Donovan King is done waiting for the government to address his concerns that laws regulating tour guiding in the city impose undue barriers on Indigenous people.

Some of the biggest names in the Kahnawake arts scene assembled alongside up-and-comers over the weekend to exchange tips and ideas at the first annual Kahnawake Artists’ Summit.

Martin Akwiranoron Loft did a lot of walking over the pandemic, especially in Montreal, taking photos along the way each time. It brought him back to his 20s, when much of his work consisted of street photography. He began sharing black-and-white portraits of the people he’d encounter on Instagram, creating a page that’s since led to him being featured in an active exhibit at the McCord Stewart Museum.

Learning the language full time is a big commitment, but Karihohetstha Cupples knows that already: her mother, Otsitsaónwe Gaspe, is in her final year of the Ratiwennenhá:wi Kanien’kéha immersion program at the Tsi Ronterihwanónhnha ne Kanien’kéha Language and Cultural Center.

There’s renewed hope that artifacts housed in La Prairie’s archaeological museum could one day return to Kahnawake. This comes after the Mohawk Council of Kahnawake (MCK)

Chaos continues to strike communities across Turtle Island handling Jordan’s Principle applications, after Indigenous Services Canada (ISC) announced procedural changes to the program this week that could mean a narrowing of eligibility criteria and increased documentation requirements for requests.

It might feel like the project just broke ground, but Kahnawa’kehró:non driving up Highway 132 might have noticed the Kahnawà:ke Cultural Arts Center (KCAC)

For Martin Akwiranoron Loft, the now increasing presence in shows and galleries of Indigenous artists - himself included - has been a long time coming.