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Montreal-based tour guide Donovan King is done waiting for the government to address his concerns that laws regulating tour guiding in the city impose undue barriers on Indigenous people.

Martin Akwiranoron Loft did a lot of walking over the pandemic, especially in Montreal, taking photos along the way each time. It brought him back to his 20s, when much of his work consisted of street photography. He began sharing black-and-white portraits of the people he’d encounter on Instagram, creating a page that’s since led to him being featured in an active exhibit at the McCord Stewart Museum.

In the eyes of director Jimmy Blais, Jordan River Anderson is a hero. For the youth that turned out to see his play Jordan at Centaur Theatre in Montreal, that’s exactly how they saw him too.

Two Kahnawa’kehró:non are feeling hopeful after finding out they were nominated for multiple Canadian Screen Awards last week.

A new interactive, online map of the Montreal metro system was launched this past weekend, which aims to “pay tribute to the women who have played a vital role in the making of Montreal and its social, cultural, and economic prosperity,” according to the project’s website.

Journalism generally takes on two approaches: opinions in the form of editorials and columns, and written articles. When sitting down to write an editorial, you must take a pretty strong stance on an issue important to all.

The news that former United States president Joe Biden was granting former American Indian Movement (AIM) member Leonard Peltier clemency to serve out the rest of his life sentence at home was unexpected for many across Turtle Island – including Denise Pictou Maloney, who believes that Peltier was complicit in the 1975 murder of her mother, Annie Mae Pictou in South Dakota.

When Tanya Talaga and Courtney Montour learned that Playback, a Canadian television industry magazine, would be recognizing them as TV directors of the year for their docuseries The Knowing, based on Talaga’s book, they were both surprised and honoured.

It’s been nearly two years since Taietsarón:sere Tai Leclaire’s short film Headdress hit screens, but it’s still reaching new audiences - this time thanks to image+nation, a Montreal-based queer film festival.

For Martin Akwiranoron Loft, the now increasing presence in shows and galleries of Indigenous artists - himself included - has been a long time coming.