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In the eyes of director Jimmy Blais, Jordan River Anderson is a hero. For the youth that turned out to see his play Jordan at Centaur Theatre in Montreal, that’s exactly how they saw him too.

Dawson College’s Indigenous Peoples’ Week, which took place this week, has been a yearly staple of the Montreal CEGEP’s event calendar, thanks to the hard work from the First Peoples’ Center.

Snotty Nose Rez Kids became the first ever Indigenous artists to win best rap album of the year at this year’s Juno Awards, for their album Red Future, which features Kahnawa’kehró:non Kendall Horn on the cover.

Fourteen-year-old Laila Ken’niwa’kera:sa McComber was nervous, and a little chilly, as she stepped out to dance at the Montreal Victoire’s Indigenous Heritage Unity Game last weekend.

Last Saturday’s Montreal Canadiens game at the Bell Centre against the Colorado Avalanche saw the Habs hold a “First Peoples Celebration,” where the organization showcased Indigenous culture in a few different ways.

A new business has come to Kahnawake, and it comes from the same mind as the ever-successful Messy Kitchen.

The doors to the Indigenous Services Canada (ISC) office are now locked. As of this week, the regional office is no more.

Two behemoths are duking it out, and as usual neither one is paying any mind to the Indigenous nations whose land they’re on, nor to the fact these nations don’t recognize the legitimacy of an imaginary line imposed on Turtle Island by colonial powers.

For the final month of the existence of the Inflation Fund Benefit, the Kahnawà:ke Social Assistance Program (KSAP) of the Mohawk Council of Kahnawake (MCK)

Karonhienhawe Nicholas had never tried her hand at creative writing before last year, but now that her first piece is published she’s got confidence under her wings – particularly since she gets to see her words in print alongside the words of her children.