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When Rhonda Horne was asked for her high school yearbook what she wanted to be when she grew up, she wrote that she wanted to be a model.  Now, at the age of 50, that dream is about to come to fruition.

Taietsarón:sere “Tai” Leclaire has felt at a loss for words in the face of casual racism. The Kahnawa’kehró:non pieced together dozens upon dozens of real-life incidents to form the narrative for Headdress, which was featured in the short film category at the Sundance Film Festival.  Starring in his film, Leclaire witnesses a white person wearing a traditional headdress at a weekend festival, triggering a chain of possible answers to the situation.

The CAQ won again, Bill 96 passed, and two years into the pandemic we still said the word COVID more often than we ate breakfast.

Courtesy Arts Commons When Thea Thomas picked up the phone for our interview, she was sitting at a sewing machine working on her next project: a two-by-eight woven wall hanging for a show in Red Deer early into the new year.

Teioshontathe McComber was four years old when he got his start in the Kahnawake Minor Lacrosse league. Tomorrow he will play his first game in the National Lacrosse League (NLL)

Eve Cable After a two-year break, McGill’s annual powwow returned to Montreal, featuring a full schedule of dances and more at the university’s downtown campus.

Courtesy Janice Patton Beaded face masks made by Kahnawa’kehró:non are being highlighted at the Whyte Museum of the Canadian Rockies in Banff, Alberta.

Courtesy Kahente Horn-Miller Before Kahente Horn-Miller joined the cohort of professors on graduation day at Carleton University, Indigenous graduates wore common graduation robes and hats, standing in a sea of black robes to celebrate finalizing their degree.