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Wata’keren’á:wi Dunkley is the third woman in her family who took the initiative and learned Kanien’kéha at the KOR, as her plans for the future form, joining her passions.

A plot of land sitting in the middle of Kanesatake caused ripples of dissent through the community concerned about the trees being cut.

Hearing Kanien’kéha every day caused nothing but joy for Karennenhá:wi Goodleaf, who started two years ago down a path to fluency dotted with lessons of culture and tradition.

 Frank ‘Putsky’ Rice has been tapping trees on his daughter’s property for the past four years. (Jessica Deer, The Eastern Door)

The greatest part of this job is listening to stories. There have been numerous times where I have sat across from a person and thought, ‘thank goodness I’m writing this down, so everyone who wants to can read their story.’ Sometimes, the stories provide life lessons, sometimes controversy, sometimes joy and sometimes inspiration, and some of the best by far are stories from elders.

The eyes and hands belong to Cree artist Virginia Pésémapéo Bordeleau and Kahnawa’kehró:non artist Marian Snow, and their creations are hanging at the Maison de la Culture Frontenac now.

It is a question that is being answered in Onkwehón:we countries across Turtle Island: how does a community take hold of its education system and ensure its children retain traditional knowledge while being able to succeed in higher education?

Still Dancing is an original artwork by Jonathan Labillois that inspired the title and theme of the event. (Artwork by Jonathan Labillois)

There is a lot more at stake in next week’s election for Canadian prime minister than who will run the country for the next four years (a minority government is most likely).

For 30 years and counting, the community's young and old walkers and runners to the Youth Centre one fall Sunday at the annual Mohawk Miles.