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Kevin John Saylor never forgot the feeling he had performing in a play when he was in sixth grade. “It was the best time of my life.

The film opens with a close-up image of Pine needles so lush-green you can almost smell them, as a woman speaks Kanien’kéka, returning an absorbed audience to the events that set into motion the 78-day standoff known today as the Siege of Kanehsatake.

When Kahnawákeró:non Katsitsahente Cross-Delisle looked at her finished tattoo from Miciah Stasis at the Kanehsatà:ke Traditional Indigenous Tattoo Gathering, she could feel the presence of their ancestors.

Karonhienhawe Nicole Nicholas cultivates the traditions of hunting and fishing in her family, the kinds of activities that help form the bedrock of Kanien’kehá:ka culture and the sorts of things long agreed upon to be the purpose of Tioweró:ton, too.

When local artist Kaïa'tanó:ron Dumoulin Bush showed up at the blank wall to paint a two-story mural, she couldn’t help but feel excited.

Karihwakatste Deer, coordinator at the Iakwahwatsiratátie Language Nest, was having a quiet morning until she received a call from Tammy Whitebean informing her that she would be stopping by.

When Ellen Gabriel set out to make a documentary film to begin correcting the record on the Siege of Kanehsatake, she decided to focus on July 11, 1990.

Kaniehtiio Horn is done waiting to play a lead role. “I figured it was time I took matters into my own hands,” said Horn.

Back for a third time, Martin Akwiranoron Loft will attend the annual International First Peoples' Festival – also known as Presence Autochtone – as an artist in residence where he’ll be set up with his pop-up photo studio, screen print station, and photo exhibition.

Countless sketches, back-and-forths, and about half a year later, Kahnawa’kehró:non illustrator Kaia’tanó:ron Dumoulin Bush got her first glimpse of the book Jules au pays d’Asha, which will be up on the bookshelves across Quebec in just under two weeks on August 2.