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When Ellen Gabriel set out to make a documentary film to begin correcting the record on the Siege of Kanehsatake, she decided to focus on July 11, 1990.

Tracey Deer distinctly remembers the first time she saw Alanis Obomsawin’s Kanehsatake: 270 Years of Resistance: she was studying film at Dartmouth College, and the documentary was being screened in one of her classes.

A palm-sized piece of bark is embedded in the canvas of Katsi’tsakwas Ellen Gabriel’s The Siege of Kanehsatà:ke, set as if it’s a peep of a tree trunk growing out of the painting.

When seven Kahnawa’kehró:non touched down in Egypt last month for the COP27 conference, they weren’t quite sure what to expect.

Courtesy Kahsennenhawe Sky-Deer Last Monday, Mohawk Council of Kahnawake grand chief Kahsennenhawe Sky-Deer was at Columbia University for a special celebration of Indigenous Peoples’ Day.

Courtesy Karonhioko’he Doxtater Karonhioko’he Doxtater gave her first stick-and-poke tattoo to her sister with just a sewing needle and thread.

Courtesy Owen Skahionwiio Mayo Owen Skahionwiio Mayo is known to nearly 25,000 TikTok followers as @modern_mohawk, and it’s clear that he lives up to his handle.

Courtesy Sarah Sookman An art project that saw 50 Indigenous portraits installed around Montreal - with a third of them depicting Kahnawa’kehró:non - was completed last weekend as the final portraits were installed at Concordia University and the Temple EmanuEl-Beth Sholom synagogue.

After facing public accusations of racism, tokenism and whitewashing, the Task Force on Equity, Diversity and Inclusion (EDI) at Bishop’s University (BU)