You are here
Home > News > Kateri statue commissioned for university

Kateri statue commissioned for university

Stephen McComber has worked 55 long years at his craft, including this latest piece of commissioned art. (Steve Bonspiel, The Eastern Door)


Stephen McComber was asked to use his wood carving expertise, and he gladly created a beaut.

Although it wasn’t easy.

The task? Sculpting a rather large statue of Kateri Tekakwitha from July until this past Sunday, putting in a total of three weeks of work or so, or roughly 75 hours, with the final product put up on a pedestal in Saint-Paul University on Monday.

Making it harder to finish, his wife Winnie has been sick and in and out of the hospital.

“It’s something from our community and a very nice symbol,” said McComber. “Maybe there’s people that don’t appreciate her for whatever strange reason, but we went out to New Mexico years ago and every house has Kateri in it.”

It has been seven years already since Kateri became a saint, in a special canonization ceremony in Vatican City by Pope Benedict XVI.

“Getting the wood took awhile,” said McComber, who only received it in September.

He based his creation, which is 30 inches high, eight inches deep, and 11 inches across of basswood, on an image of another statue he found online, used for reference.

Aside from his electric sander, the work was all done by hand, including with his trusty carpenter adze, which replaced his axe and is different from what he had before, due to the advantageous angles on it.

It was in BC, so many years ago, McComber learned about negative space. “Like, on a cornbread spoon I cut out a bear’s or a wolf’s face. It’s a negative space but it becomes positive,” said McComber, 64, who taught himself 55 years ago how to carve in wood and stone, including his beloved head carvings of Jimi Hendrix, about the size of the palm of a hand, with a jackknife and a straight chisel.

Encouraged by his uncle Kenneth, he originally started making Indian villages out of bark, with burned ketchup caps and wire to accentuate, as his first experiments.

The work for this project took longer because of the attention to detail: the cross is part of Kateri, not added later; the shawl, which emulates leather and is more traditional and appropriate for the time, has depth to it; her hair is braided and quite prominent in the front.

“The cross is very hard to do,” he said. “I don’t want to take too much and I cut underneath to give it shadow. I want to make it so it’s still solid and doesn’t break, but I want to make it look detached.”

McComber uses much smaller tools for delicate pieces like that.

Getting the wood smooth, referred to as chipping, is also tough, and very different from stone, he said, which he also likes carving.

Sebastian Pilon, Indigenous Initiatives coordinator from Saint-Paul University, was kind of like that guy who carries the Stanley Cup earlier this week. He left Ottawa in the wee and came to get it, sans stains because McComber simply ran out of time.

On Monday, Kateri was blessed by an Ojibway priest with sage and placed on a pedestal in the chapel at Saint-Paul University next to a carving donated by an old Oblate priest in the 1930s, carved by an artist from France, called The Black Virgin, which is related to the stain used, not ethnicity.

Pilon’s position was created by the university’s rector, Chantal Beauvais, who was really affected by the Truth and Reconciliation Commission’s 94 recommendations, and she “wanted to act on that truth,” he said.

“Never before had they contemplated this.”

So they created his position and he reached out to the neighbouring Algonquin communities “to move along with good faith, in a good way.”

When Pilon called the Cultural Center months ago, he said it took about 1/15th of a second to suggest McComber.

“I was up to the challenge and honoured,” said McComber.

With rising printing costs, overhead and inflation, community newspapers like The Eastern Door are finding it increasingly more difficult to keep afloat. But here’s a way you can help: 
Please consider a financial contribution to help us keep doing what we do best; telling the stories of our people in a contemporary medium – a solid archive of our cherished history. Your kind donation will go towards a paper that stands as equal parts historical record, in-depth, informative and award-winning news, colourful stories, as well as a big boost to the local economy by employing 95 percent local workers. Also, please consider subscribing to our e-edition, which comes out Thursday night, at today, or pick up your copy Friday morning in Kahnawake, Kanesatake, Akwesasne or Chateauguay.
We exercise real freedom of the press every single day. Without our reporters fighting for the truth our community would be missing something. E-transfers are accepted at:
+ posts

Eastern Door Editor/Publisher Steve Bonspiel started his journalism career in January 2003 with The Nation magazine, a newspaper serving the Cree of northern Quebec.
Since that time, he has won numerous regional and national awards for his in-depth, impassioned writing on a wide variety of subjects, including investigative pieces, features, editorials, columns, sports, human interest and hard news.
He has freelanced for the Montreal Gazette, Toronto Star, Windspeaker, Nunatsiaq News, Calgary Herald, Native Peoples Magazine, and other publications.
Among Steve's many awards is the Paul Dumont-Frenette Award for journalist of the year with the Quebec Community Newspapers Association in 2015, and a back-to-back win in 2010/11 in the Canadian Association of Journalists' community category - one of which also garnered TED a short-list selection of the prestigious Michener award.
He was also Quebec Community Newspapers Association president from 2012 to 2019, and continues to strive to build bridges between Native and non-Native communities for a better understanding of each other.

Similar Articles


Supported By WordPress Login Issues Help